This is the 1st English translation of the memoirs of the good German-Jewish theater manufacturer Ernst Josef Aufricht (in German 1966, rpt. 1998). The name alludes to Brecht and Weill's ThreepennyOpera, the most suitable of which used to be produced through Aufricht at his Theater am Schiffbauerdamm in Berlin in 1928, launching Brecht and Weill to world wide fame.
Aufricht's e-book is such a lot impressive for its insider's account of the Berlin theater scene from the good days of the past due Nineteen Twenties and early 30s. Its variety, besides the fact that, from university years and the army to his time as an actor after which producer,the upward thrust of the Nazis, and at last his lengthy years of exile in France and the USA, offers the image of a posh person with a expertise for survival and a winningly understated experience of humor.
The publication may be of curiosity to an educational viewers, yet its reflections on a interval of momentous inventive and political occasions will extend its entice a much broader workforce: these attracted to twentieth-century German heritage, song and theater historical past, in addition to the final reader.
Benjamin Bloch is a medical psychologist who studied German and English Literature at Oberlin university. Marc Silberman is Emeritus Professor of German on the collage of Wisconsin.
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Extra info for And the Shark, He Has Teeth: A Theater Producer's Notes (Studies in German Literature Linguistics and Culture)
And the Shark, He Has Teeth: A Theater Producer's Notes (Studies in German Literature Linguistics and Culture)